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Vintage Audio (record players, hi-fi etc) Amplifiers, speakers, gramophones and other audio equipment. |
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#41 |
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Join Date: Jun 2003
Location: Oxford, UK
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I can understand the confusion. That's a very odd design decision for a relatively high-end radiogram. It's not as if it even results in a big reduction in manufacturing costs.
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#42 |
Dekatron
Join Date: Nov 2003
Location: Heckmondwike, West Yorkshire, UK.
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I seem to remember that we went through the isolation conundrum once before, and the isolation transformer was found in the depths of the cabinet behind a baffle of some description. Decca were fond of oddball designs, at least you have common valve types here. Multiple models in one manual is a definite recipe for confusion.
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#43 |
Octode
Join Date: Sep 2017
Location: Bristol, UK.
Posts: 1,544
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I haven't analysed the convoluted earthing/chassis connections, but how are the exposed deck metalwork and pickup connections isolated from the live chassis? I suppose there must have been plenty of ac/dc record players, but none have come my way; how was their user-accessible metalwork, etc, isolated from mains voltages?
Mike Last edited by Boulevardier; 19th Sep 2023 at 4:21 pm. |
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#44 |
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Join Date: Jun 2003
Location: Oxford, UK
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The metalwork either isn't connected to the chassis at all, or is isolated with capacitors. The wiring to the cartridge also goes through capacitors. It made some sort of sense to do things that way for cheap portable record players as it saved both cost and weight, but in this case there needs to be a big transformer anyway because of all the E series valves, so the benefit is far from obvious.
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#45 | |
Octode
Join Date: Sep 2017
Location: Bristol, UK.
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I agree, really odd-ball stuff. I think the other BB versions I've looked at have all had normal double-wound mains xformers for HT supply. I wouldn't have thought capacitor isolation would have been much isolation at all at 240V ac - after all, the audio has to get through them, and some at least had reasonable LF response... Still, it seems to have worked satisfactorily, and I haven't heard of routine deaths from record players! Last edited by Boulevardier; 19th Sep 2023 at 4:56 pm. |
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#46 |
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Join Date: Jun 2003
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With the high impedances of valve audio you only need very low value capacitors, but it's still a bit dodgy given the capacitor technology of the time.
It was a very common technique in cheap portables, with a UY85 and UL84 getting their heater supply from a tap on the gram motor. It's just odd to see it used in a stereogram with push pull output. |
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#47 |
Octode
Join Date: Feb 2009
Location: Wallasey, UK.
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Coming late to this thread, you might find mine on the SRG600 (same circuit) useful: https://www.vintage-radio.net/forum/...d.php?t=185307
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#48 |
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Join Date: Mar 2012
Location: Fife, Scotland, UK.
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Sorting out differences in levels is not usually too difficult. The big problem is that all the radiogram circuitry is connected to one side of the mains. The cabinet, the knobs etc were all designed to keep the electronics fully insulated from people. Anything you connect has to follow this regime. Which is why it has no tape recorder connections.
Lack of a fully isolating mains transformer removes a lot of safety protection and saves a quid or two. Using an autotransformer for just the heaters still costs less than a full isolating main transformer, but gives no more protection than being transformerless. But, unlike the fully transformerless doesn't make the set AC/DC. THe autotransformer does allow mainstream valve types without being tied in to the 100mA series string heater types, and avoids the heat from a dropper resistor. If an input from a Streamer, CD or whatever, these devices were never thought of in terms on non-isolated use. There are ways to arrange isolation but none of them are al; that good, affecting the sound and leaving you legally liable should anyone who owns the thing later be harmed. The best approach would be to leave the set as an example of what things were like, and go looking for a more suitable unit, with a proper mains transformer and an earthed chassis. In the later fifties and through the sixties live chassis construction was very common for simple profit reasons Their era ended with the move to transistors. Transistor stuff needed lower voltages and greater currents, so mains transformers staged a comeback. Decca chose a halfway house with almost all of the disadvantages of both worlds. They just did things differently no-one's ever found out just why. David
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#49 |
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I forgot to mention that even if you keep the neutral end of the mains connected to the chassis, neutral often runs a few volts above earth due to mains currents in houses and ohmic drops. If you connect to anything with an earthed case, you can get enough current flowing N to E to give nuisance tripping of RCDs in your consumer unit.
David
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#50 |
Triode
Join Date: Sep 2023
Location: Skipton, North Yorkshire, UK.
Posts: 29
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#51 |
Dekatron
Join Date: Jun 2013
Location: East Sussex, UK.
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I think you have to accept the way it was normal to have live chassis on most radios and radiograms. They were sold as a complete unit and they were not expected to have external equipment connected to them. They were intrinsically safe in normal use. I had a Decca SRG 300 with an almost identical chassis and the only minor problem was if the 2 pin plug was put in the wrong way round then you got a tingle when touching the turntable unit. Simple answer was to reverse the mains plug. We didn’t have tape recorders to plug in in those days so it wasn’t important. Later on it became common to attach a tape unit etc to record the record charts hits of the day. Left as it was supplied doesn’t present a problem. It’s only if you want to change it’s use to do what was never intended or thought possible at the time of manufacture.
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#52 | |
Triode
Join Date: Sep 2023
Location: Skipton, North Yorkshire, UK.
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#53 |
Triode
Join Date: Sep 2023
Location: Skipton, North Yorkshire, UK.
Posts: 29
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Happy weekend all,
Having decided to keep the gram as is, I was pondering on the seemingly best cartridge option of a Decca Deram. From what I have read so far, although they are undoubtedly a great cart, quality styli are impossible to find for them and the standard of those that are available is poor, so what is the point? Having one retipped is financially not an option (or is it?). So are they really a viable option? |
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#54 |
Dekatron
Join Date: Sep 2015
Location: Southwold, Suffolk, UK.
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This is a Decca Stereogram made to exploit the virtues of the well regarded Deram cartridge. Fitting another type of cartridge would present other problems as you will find it very hard to find another ceramic cartridge that has the same output (50mV) of the unique Deram, This would be likely to create overload/distortion issues.
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#55 |
Nonode
Join Date: Jun 2014
Location: Bristol, UK.
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You are right about Deram replacement styli - they are very poor - too stiff. The real ones do come up from time to time - worth the wait.
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#56 | |
Triode
Join Date: Sep 2023
Location: Skipton, North Yorkshire, UK.
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#57 |
Triode
Join Date: Sep 2023
Location: Skipton, North Yorkshire, UK.
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Hi again everyone.
After some time debating and even more time stripping and cleaning, my monarch deck is in fine condition. I managed to find a donor with a better platter and original mat in great condition, and all is good with the world. Which brings me to the next dilemma. Cartridge. The original is a BSR ful-fi TC8S which I understand tracks at around 10g. It is also likely dud from what I am reading. So what to replace it with? The Decca Deram mentioned previously seems an almost impossible dream to find. Is there anything of quality either modern or likely still working which I can use which will match the amp? Preferably with a lighter tracking force. Thanks. Last edited by David Man; 19th Oct 2023 at 6:09 pm. Reason: missed a bit |
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#58 |
Dekatron
Join Date: Sep 2015
Location: Southwold, Suffolk, UK.
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Go for a NOS BSR SC11M or a BSR SC12H. They are an easy fit and their output levels are not too high. Or buy a "Chinese Generic Red" cartridge fitted to a standard 1/2" mount. With adjustment to the tracking weight on your tone arm, set these to c.5 grams. There should be 4 wires in your tone arm, although the old BSR TC8S only used 3. Search "Stereo Cartridge Wiring" for the correct matching of the 4 coloured leads to the 4 pins.
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#59 | |
Triode
Join Date: Sep 2023
Location: Skipton, North Yorkshire, UK.
Posts: 29
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I assume there are differences, but what are they? Is it just size or fitting? |
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#60 |
Heptode
Join Date: May 2006
Location: Accrington, Lancashire, UK.
Posts: 970
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I thought earlier on somebody commented it wasn't a mains isolated chassis, take care!
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