Quote:
Originally Posted by Ted Kendall
With all this goes a serious point. If you are going to do this sort of thing, PLEASE retain a pristine original or a dub thereof.
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This raises the question of what is a good dub. Clearly a decent AD converter will have a noise floor way below any likely source and plenty of dynamic range too but do you really to sample above 44.1/48kHz? Does the ultrasonic info (if any) on a disc make any difference? Is it just good practice to sample at 96kHz or 192kHz