Re: Fifty Years of Colour Television in the UK
Thank you. I worked on Marconi cameras in the studios - the Mk8 & Mk 9. Do you know if there was any particular technical reason the BBC wanted 4 tube rather than 3 RGB tube cameras? (As we both know the 8 & 9 were 3 tube GRB cameras rather than RGB but that of course is the subject of a different conversation). A hazy memory takes me back to thoughts of Delta L or ‘Livingstone’ correction to make YRGB cameras look like RGB cameras. I think I still have my training notes on that in the garage somewhere!! Principles of constant luminance or some such? Ouch!
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